The camera is the absent present of the visualization. The distance between the camera and its object is implicit in every visualization and inseparable from it. That's why we don't like to photograph buildings that are within the urban fabric from a distance. The manipulation is immediately felt, and the sense of reality is damaged. In the Levi-Eshkol project we were asked to show the building up close from the courtyard, and the intimacy of the entrance. Since the project is located on a residential street, and it is not possible to photograph the buildings from a human point of view, from a distance, we came closer to the building, looking for more intimate views that would describe it in fragments.
